Josef Müller-Brockmann’s posters from the 1950s left a mark on Swiss visual communication. His work demonstrates the efficiency of the use of a simple and formal language to create a universal timeless message. He also created poster campaigns using exciting and dynamic compositions for clients such as the Tonhalle concert Hall in Zürich and the Automobile Club of Switzerland.
The book by Lars Müller Publishers, presents a poster collection and places the images in their context to examine the validity of Müller-Brockmann’s design solutions from today’s point of view. The book is available in English and German.